Experimental digital specimen / Cinazes Type
TRIPTIH
Built for compressed rhythm.
No nostalgia, only structure.
A display system for compressed rhythm, rigid vertical pressure and editorial tension at architectural scale.
Sharp vertical tension.
The family behaves like a construction system: filled mass, exposed contour and linear skeleton share the same pressure, so display settings can move from dense to fragile without losing identity.
Vertical stems are treated as structural rhythm. Counters stay narrow, terminals feel engineered, and curves keep just enough softness to avoid becoming purely mechanical.
Display grotesk for controlled chaos.
Typographic laboratory
Designed for dense compositions.
Rhythm / typography
Scale changes the grammar of the same voice.
Glyph museum
A slow room for individual forms.
OpenType features
System behavior, not ornament.
Curated in-use gallery
Five situations, one controlled temperament.
MUSEUM
AS IMAGE
INDEX
SILK
Technical section
Professional tool, quiet surface.
- Styles
- 12
- Axes
- Weight / Width logic
- Glyphs
- 540+
- Languages
- 87
- Features
- liga, frac, ss01, ss02
- Formats
- OTF / WOFF2
- License
- Desktop / Web / App
About typeface
Triptih began as a study of one skeleton in three states.
Fill, Parth and Stroke are not decorative variations. They are three ways of exposing the same construction: mass, interruption and line. The typeface is intended for posters, identities, editorial systems and digital surfaces that need scale without theatrical noise.
TRIPTIH
Built for tension, scale and controlled chaos.